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    Dignity & Impudence
    Dignity & Impudence The Organ of St Mary Redcliffe, Bristol, William Saunders

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    Catalogue Number: REGCD270

    Price: £12.50 (inc VAT) / £10.64 (ex VAT)
    Option: N/A
    Stock Status: In-Stock

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    "This is a superlative CD that should be on every organ music lover's shelf. William's playing is quite astounding: musicality, flawless technique and mind-boggling organ management come together in a diverse programme that shows both the dignity and impudence of the composer, performer and the Redcliffe organ."

    Organists' Review Editors Choice May 2008
    "Here is an absolutely delightful recital of genuine rarities...The very wide dynamic range is expertly captured by the always-reliable Gary Cole with never a trace of distortion."
    Association of Anglican Musicians Feb 08

    "It is great to hear the organ in St Mary's Redcliffe. A complete history of the instrument and its specification are given in the CD booklet. William Saunders playing complements this fine instrument and the impressive ecclesiastical setting.    This is a great CD that explores some little known repertoire."
    Music Webb March 08



    Toccata on O Filii et Filiae Lynnwood Farnam (2:18)

    Six Pieces Opus 33 Christopher Steel (15:01)
    1 Intrada (1:54)
    2 Flourish (2:12)
    3 Nocture (4:01)
    4 Dance (1:39)
    5 Meditation (3:04)
    6 Postlude (2:11)

    Maytime Gavotte Alfred Hollins (4:02)

    Intermezzo in D flat Alfred Hollins (6:10)

    Four Transcriptions for Organ Percy Whitlock arr. Malcolm Riley
    1 Fanfare (1940) (3:25)
    2 To Phoebe (5:27)
    3 Elegy (6:07)
    4 March ‘Dignity and Impudence’ (5:46)

    Sonata No.1 in C sharp minor Opus 5 Basil Harwood (19:16)
    1 Allegro appassionato (7:16)
    2 Andante (3:41)
    3 Maestoso – Con moto (8:19)

    Total playing time: 67:33

    A number of photographs included in printed materials accompanying this CD were incorrectly credited. The internal and external views of the church and the organ console photographs were taken by John Pickard.
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