Details

alexander baillie | james lisney

Disc 1 (76:29)

Sonata in F, Opus 5, No. 1 (1796) (23:28)
Adagio sostenuto (2:31)
Allegro (14:07)
Rondo: Allegro vivace (6:50)

Sonata in G minor, Opus 5, No. 2 (1796) (26:34)
Adagio sostenuto e espressivo (4:57)
Allegro molto più tosto presto (12:31)
Rondo: Allegro (9:06)

Sonata in A, Opus 69 (1808) (26:25)
Allegro ma non tanto (12:21)
Scherzo: Allegro molto (5:15)
Adagio cantabile – Allegro (8:49)

Disc 2 (64:58)

Sonata in C, Opus 102, No. 1 (1815) (15:22)
Andante – Allegro vivace (7:44)
Adagio – Allegro vivace (7:36)

Sonata in D, Opus 102, No. 2 (1815) (19:56)
Allegro con brio (6:32)
Adagio con molto sentimento d’affetto (8:45)
Allegro fugato (4:39)


12 Variations on a theme from Handel’s Oratorio Judas Maccabaeus
for Piano and Cello WoO 45 (1796) (11:15)
Theme (0:38)
Variation 1 (0:34)
Variation 2 (0:36)
Variation 3 (0:37)
Variation 4 (0:44)
Variation 5 (0:46)
Variation 6 (0:38)
Variation 7 (0:34)
Variation 8 (0:38)
Variation 9 (0:34)
Variation 10 (0:36)
Variation 11 (3:08)
Variation 12 (1:12)

12 Variations on ‘Ein Mädchen oder Weibchen’
from the opera The Magic Flute by Mozart for Piano and Cello, Opus 66 (1796) (9:26)
Theme (0:27)
Variation 1 (0:30)
Variation 2 (0:30)
Variation 3 (0:28)
Variation 4 (0:35)
Variation 5 (0:28)
Variation 6 (0:26)
Variation 7 (0:46)
Variation 8 (0:29)
Variation 9 (0:35)
Variation 10 (1:18)
Variation 11 (0:55)
Variation 12 (1:57)

7 Variations on ‘Bei Männern, welche Liebe fühlen’
from the opera The Magic Flute by Mozart for Piano and Cello, WoO 46 (1801) (8:58)
Theme (0:47)
Variation 1 (0:40)
Variation 2 (0:45)
Variation 3 (0:53)
Variation 4 (1:08)
Variation 5 (0:36)
Variation 6 (2:19)
Variation 7 (1:50)