£12.77 £10.64 Ex vat
Guildford Cathedral Choir, Chameleon Arts Orchestra
Hannah Dienes-Williams soprano, Janet Shell mezzo-soprano
directed by Katherine Dienes-Williams
Description
This revelatory new recording presents the first recordings of two major works for choir and orchestra by the twentiethcentury British composer, Harold Darke. Today, Harold Darke is best known for the beautiful and well-loved Christmas carol, In the bleak midwinter. The two cantatas recorded here reveal for the first time a musical voice of great depth and consumate skill on a much larger canvas. In both works, a chorus and radiant soprano soloist – sung here by the young Hannah Dienes-Williams – are supported by luxurious post-Elgarian orchestration which envelops the listener in rich harmonies and colourful instrumental sonorities.
Faith and mysticism are at the heart of this disc and the Requiem – in the 1961 version for mezzo-soprano, choir, organ, and small orchestra – by Harold Darke’s slightly younger French contemporary, Maurice Durufl , makes an apposite companion piece.
Track List
Guildford Cathedral Choir, Chameleon Arts Orchestra
Hannah Dienes-Williams* soprano, Janet Shell† mezzo-soprano
directed by Katherine Dienes-Williams
As the leaves fall* – Harold Darke
17:30The Kingdom of God* – Harold Darke
7:32Requiem Op. 9 (1961 version) – Maurice Duruflé
i Introit
3:34ii Kyrie
3:49 iii Domine Jesu Christe
8:42iv Sanctus
3:14v Pie Jesu†
4:04vi Agnus Dei
4:05 vii Lux æterna
4:21 viii Libera me
5:29ix In Paradisum
3:35Total playing time: 66:02
Production credits
Recorded in Guildford Cathedral on 24–27 June 2019
Produced and edited by Adrian Hunter.
Recorded by Will Anderson and Ken Blair
Sample audio extracts
Reviews
‘There’s a serene, reflective and reverential quality to his writing which conceals an underlying layer of phlegmatic and stolid power… The balance between the solo part, sung beautifully here by soprano Hannah Dienes-Williams, the choir and orchestral forces, is exemplary from start to finish. Hard to believe that a piece of music this well conceived has not been recorded before.’ Classical Music Sentinel January 2022
